Three octave scales and arpeggios (up to three sharps and three flats, slurred or staccato). For scholarship consideration, both movements should be memorized. An etude, such as one by Kreutzer, Mazas, Campagnoli, etc. An example is a movement of a concerto by Stamitz or Hoffmeister, and a piece such as the Bloch Suite Hebrique or Hindemith Trauermusik. For scholarship consideration: at least one movement from a concerto by such composers as Bruch, Wieniawski, Saint-Saens, Sibelius, Tchaikovsky, and a movement of an unaccompanied Bach sonata or partita. Sightreading will be included in the audition. two contrasting movements from a concerto a movement of a concerto and a movement of Bach’s unaccompanied works a show piece and a slow work a movement of a concerto and a movement of a sonata two contrasting movements from a sonata) Two pieces/movements in contrasting styles (i.e. 
Violin, Viola, Cello, Bass, Classical Guitar, Harp
Sight reading will be included in the audition.All major and minor scales and arpeggios, 2 octaves.2 memorized pieces in contrasting styles (examples include, but are not limited to, a Bach Two or Three-part Invention or Prelude and Fugue, a first movement of a Classical period Sonata, a Chopin Nocturne or equivalent Romantic or 20th Century work).
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